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Ivan used to be an artist at Soyuzmultfilm, has worked on Christopher Robin (Framestore studio), Jingliks season 1, and directed the animation "220 volts of love" (NTV television company).
Igor has worked on game cinematics for Plarium and CJ VFX studios, an IVI commercial, and a full-length cartoon "Mavka" by Animagrad studio. He was part of the team on the first episode of the animated series "My Babushka smokes a pipe". At the moment, Igor is the supervisor of the series "My Babushka smokes a pipe" and an animator of the OCA studio.
Professionally involved in computer graphics since 2006. As the leader of his own lighting team he worked with "Aeroplane" studios (the Fixiki series), "100 Kilowatts", "Soyuzmultfilm", "Alisa Production", "3D Sparrow" (the Buba series), "Lucan", "Dragonfly", lighting shots for cinematics "Riot games" and "Rovio".
Alexey graduated from Bauman Moscow State Technical University majoring in "Robotics and Complex Automation" so he knows firsthand what body mechanics is. Besides he went to the Institute of Contemporary Art Problems and took the “New Norm” course at the Strelka Institute, which helps to give meaning to body mechanics. More than 10 years in animation, half of this time he spent under the guidance of Ivan Pavlov, who instilled in Alexey a conscious approach to animation. In addition, he worked in such studios as CGF (“Konek-Gorbunok” project) and Realtime (UK).
With over 20 years of experience in computer graphics, the past 8 of which have been dedicated to rigging, Pavel has worked at renowned studios such as Animaccord, Trekhmer, Bazelevs, Dr. Pictures, Pixonic, and Nekki.
Alexey is one of the strongest lighting experts in our animation and film industry with whom I have worked. In fact, he turned out to be the first colleague and teacher for me, who at the beginning of my journey taught me to analyze other people's work, to see an image and look at shots from the point of view of narrative and art of the frame, and not just blind repetition and random scattering of light sources. The knowledge and experience I was able to learn from him about lighting helped me a lot in the future and still helps me in compositing.